
By Diane Carson,Cynthia Baron,Mark Bernard
ISBN-10: 0814334318
ISBN-13: 9780814334317
In 9 chapters, Baron, Carson, and Bernard contemplate nutrients in fiction movies and documentaries-from either American and foreign cinema. the 1st bankruptcy examines movie perform from the foodways point of view, delivering a beginning for the gathering of case stories that stick to. bankruptcy 2 takes a political economic climate method because it examines the nutrition and the movie industry's rules that confirm representations of foodstuff in movie. In bankruptcy three, the authors discover meals and nutrition interactions as a method for developing group in Bagdad Café, whereas in bankruptcy four they take an in depth examine 301/302, in which foodstuff is used to mount social critique. bankruptcy five specializes in cannibal motion pictures, exhibiting how the foodways paradigm unlocks the consequences of flicks that dramatize considered one of society's maximum foodstuff taboos. In bankruptcy 6, the authors display ways in which insights generated through the foodways lens can improve style and auteur reports. bankruptcy 7 considers documentaries approximately meals and water assets, whereas bankruptcy eight examines nutrition documentaries that slip during the cracks of movie censorship via going into exhibition with out an MPAA score. eventually, in bankruptcy nine, the authors examine motion pictures from a number of nationwide cinemas to discover the intersection of nutrients, gender, and ethnicity.
4 appendices supply insights from a meals stylist, a particular filmography of fiction movies and a filmography of documentaries that function foodways elements, and an inventory of chosen works in foodstuff and cultural studies.
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Extra resources for Appetites and Anxieties: Food, Film, and the Politics of Representation (Contemporary Approaches to Film and Media Series)
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Appetites and Anxieties: Food, Film, and the Politics of Representation (Contemporary Approaches to Film and Media Series) by Diane Carson,Cynthia Baron,Mark Bernard
by Brian
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